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Narcissus Leaves the Pool: Familiar Essays, by Joseph Epstein
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Joseph Epstein's sixth collection of personal pieces winningly and brilliantly rounds off his twenty-three-year tenure as editor of The American Scholar. "The trick with these essays," he recently wrote, "is to take what seems a small or mildly amusing subject and open it up, allow it to exfoliate, so that by the end something arises that might be larger and more intricate than anyone -- including the author -- had expected." Among the things that arise here are naps, Gershwin, aging, name-dropping, long books, pet peeves, talent vs. genius, Anglophilia, and surgery -- the head and the heart.
- Sales Rank: #309342 in Books
- Published on: 1999-05-14
- Original language: English
- Number of items: 1
- Dimensions: 1.17" h x 5.81" w x 8.58" l,
- Binding: Hardcover
- 321 pages
From Publishers Weekly
Demonstrating the continuing relevance and joys of the well-crafted essay, Epstein's thoughtful excursions explore a range of subjects from the profound (mortality) to the pedantic (language abuses) and the popular (the music of the 1940s). But they are always deeply personal. Without sacrificing his own unique viewpoint, Epstein (Life Sentences), for 23 years the editor of The American Scholar, always engages his reader, providing access to his knowledge instead of merely lecturing. For example, when expounding upon the delights of The Decline and Fall of the Roman Empire, he makes the reader with no knowledge of Gibbon feel as if she, too, might pick up the volumes and breeze through them. Many of the essays are powerful: using himself as an example, Epstein charts his growing fears of aging and death to painful and provocative effect, and his descriptions of the human body are wrenching. His elegantly turned sentences reveal quirks and cultural musings with a comic touch that is light, but never flippant. The best essays achieve classical balance in a completely modern voice.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
What do you get when you take 16 personal essays, add literary knowledge and self-revelation, include well-turned phrases and polished paragraphs, temper with a candid, colloquial style, and suffuse with a great deal of wit and amusing observation? You get a new collectionAhis sixthAby the former editor of the American Scholar. Epstein (Life Sentences, LJ 9/15/97) focuses mainly on ordinary subjects: aging, napping, reading, name-dropping, and being an addicted sports spectator. He speculates that the fanatic pursuit of youthfulness through exercise allows one to "be in near perfect shape just in time for death." And on the subject of pronunciation he wonders, "Why does it feel so foolish, so ketchup on one's white shirtfront, so absolutely fly open at the senior prom, to know one has been mispronouncing a word?" These essays were first published in the American Scholar, The New Yorker, and the Hudson Review; it's nice to have them together under one cover. Recommended for literature collections in both academic and public libraries.AIlse Heidmann, San Marcos, TX
Copyright 1999 Reed Business Information, Inc.
From Booklist
Epstein is one of the premier contemporary American essayists, and his status is reaffirmed in his latest collection, which, as the title indicates, is about himself. But there is nothing wrong with such egotism, because he happens to be an interesting fellow. What is so remarkable about Epstein as an essay writer is that he'll begin a discussion at some personal place--say, thinking of himself as "a man who has mastered, in all its delicate intricacy, the art of the nap" --and end up in another place relevant to us all. That's why he can write about himself and get away with it: without fuss or filigree, only with a clear sense of direction, his discussions always arrive at a universal point to which we can all relate. Anything from heart bypass surgery to his naked body to mispronunciation of certain words can fall under his watchful eye and abiding love of communication: he enjoys making language work, not making it jump through hoops for show. Brad Hooper
Most helpful customer reviews
26 of 28 people found the following review helpful.
...and the nyads weep for they understand their loss.
By Good Bye
The melancholy title of this book alone is enough to bring back memories of that bleak afternoon when I read in the pages of my newly arrived copy of the American Scholar that my longtime never-met friend Joseph Epstein would no longer pay his quarterly visit to my home. For months, I could not bring myself to finish the originally published Aristides essay in which he announces his leaving of the Scholar. I felt as though I had been told of the death of a long time boon companion. I later came to realize that Mr. Epstein had, in fact, not resigned but had been pushed out. Curses! Curses I proclaimed upon the American Scholar (those curses, by the way, still remain in effect; I vigorously renew them every change I get). Yet Mr. Epstein, gentleman scholar that he is, has to my knowledge, handled the insult with all the dignity that Mr. Emerson would have wished for in the last true editor of this now ill named journal. He wrote one of the most eloquent and distinctive essays of his career. The entire book resonates with the feeling of this one essay. Perhaps this was not intentional, perhaps it was. Certainly the coming storm was visible on the horizon. One could even say that Mr. Epstein was steeling himself against the opposing armies surrounding his outpost on a literary Masada. Such things can be seen in the distance and the soul can do nothing else but to arm and defend. Mr. Epstein was killed, in the literary sense. His editorial armor was stripped and his body was left for the academic carrion feeders. Yet he survives. Perhaps he will not regain an editorial position; quality does not seem to be in demand in these days of Miss Brown and her ilk. The fact that books of this sublimity, wit, and style are yet published truly astonishes one when the weekly best-seller lists are examined. We can only thank God that Mr. Epstein is still alive, writing, and occasionally published in such journals as the New Criterion, Commentary, and other publications of like erudition and taste. Read "Narcissus Leaves the Pool." Read it with the understanding that it is the last chapter in the life story of a once great journal. Read it with the knowledge that it is not "With My Trousers Rolled" or "A Line Out for a Walk," it more complex than either of those fine collections. Read it with the hope that you will be allowed into the thoughts, both idle and collected, of one of the last great essayists left in the world. You will not be disappointed.
28 of 31 people found the following review helpful.
Essayist Charms Again
By Larry Thornberry
Joseph Epstein is out of step with the times; so much the worse for the times. But you wouldn't expect one of our best essayists to share the hyperkinetic spirit of our quick-cut, crisis-of-the-week, information overload age, malnourished as it is on fast food and fast thought. Epstein's readers, used to his erudite and soothing literary voice, will conclude that he's, square peg or no, comfortable in the world. Epstein is a clear, deliberate thinker and graceful writer who won't be rushed. He knows his way around an idea, an anecdote, a philosophical question. He creates intimacy, interest, and assent without being the least polemical or didactic (see above re one of our best essayists), and demonstrates that as well as being useful, intelligence can also be a sheer joy. Narcissus Leaves the Pool -- the sixth essay collection of Epstein's 13 books - will only add to his reputation. The 16 pieces here repay the serious and the playful mind (if the same mind, so much the better). In his surefooted style -- serious but not solemn, humorous but never trivial, deep but always accessible. Epstein ponders what distinguishes a point of view from a grab-bag of opinions; shows how the role of popular music has changed in our lives; counts the ways professional sports offend these days, ("Watching Monica Seles play Arantxa Vicario, two players who grunt with every stroke, I feel that I am inside a hernia testing center.") and laments how hard it is for one who's loved the games to chuck the increasingly hard to justify habit; praises napping and disparages name dropping. He comes to terms with turning 60 in "Will You Still Feed Me." The title of the book and of the lead essay means to suggest the writer has reached an age where the preening and overreaching are done, where possibilities are relinquished. He's not exactly asking what to make of a diminished thing, but conceding that the future, while still pleasing at 61, is contracted. He's reached the age where when reading a good book he feels obligated to do a good job of it as it's unlikely he'll read that book again. An age where every trip to the doctor's office carries the real threat that the doctor will find what he has been poking around looking for these many years. Epstein admits squeamishness, but denies being a hypochondriac, "..only your normal thanatophobe." He ponders the question of how to maintain dignity in the physician's office. "While respecting what they do and realizing the need for them, I have tried to the best of my ability to steer clear of physicians. I find that, given a chance, they discover things I would rather not know about." Once such discovery led to one of life's experiences Epstein would have as soon skipped, heart surgery. He describes it in "Taking the Bypass." Epstein might not think to label himself a conservative. In part because the breathless clamors that fill political journals -- elections, legislative maneuvering, the routine changes of government -- do not interest him much. He's aware of the overall seriousness of politics, especially where it's very bad. He is friends with people who lost family in Hitler's death camps. But his principle concern is the with the workings of the human heart, not with the routine insolences of office. His skepticism regarding all Big Ideas and his rejection of all causes that individuals must be sacrificed in the name of put him, literary temperament and all, on the right side of the angels. A conservative in all but registration. Not one to diminish literature by hitching it to any ideological wagon, Epstein has no patience with tenured Philistines who flog their agendas with the literary masters. In "The Pleasures of Reading," he nails these villains. "What wide reading teaches is the richness, the complexity, the mystery of life.I have come to believe there is something deeply apolitical something above politics in literature, despite what feminist, Marxist, and other politicized literature critics might think. If at the end of a long life of reading the chief message you bring away is that women have had it lousy, or that capitalism stinks, or that attention must above all be paid to victims, then I'd say you just might have missed something." Epstein takes his reading seriously (though not solemnly, as you'll see). He's amused by profiles of people who list reading as a hobby. "I should as readily list under my hobbies, tennis, travel, and breathing." Epstein notices how few grownups there are these days and parses this matter in "Grow Up Why Dontcha." No accident that Seinfeld and Friends became so popular in the land of the perpetual adolescent. Role models in arrested development come with the substantial tuitions at America's colleges in the person of paunchy professors, certifiably past fifty, wearing blue jeans, hiking shoes, and even in some cases, God help us, backpacks. "In our own day one still sees what are essentially sixties characters in their fifties, walking the streets, tie-dyed, long-haired, sadly sandaled, neither grateful nor dead, waiting for the magic bus to the past." Epstein manages to combine literary insights of the literature professor (Northwestern) that he is -- you'll encounter Proust, Montaigne, T.S. Eliot, and Solzhenitsyn in these pages -- with the acute observations of the street smart Chicago boy he also is. You'll also run across Joe Montana, Mike Ditka ( I did say Chicago), Floyd Patterson, and former welter weight Carmen Basilio. Epstein delights in all precincts of Vanity Fair. Epstein, like your average French desert, is pretty rich stuff and probably is better read an essay or two at a time. Those who've read A Line Out For a Walk, Once More Around the Block, With My Trousers Rolled, or The Middle of My Tether know this already. It probably wouldn't do anyone actual harm to read an entire book of Epstein essays at one sitting. But why take a chance? Larry Thornberry - Tampa LTBerrywtr@aol.com
13 of 13 people found the following review helpful.
(Former) readers of the American Scholar yearn for Epstein.
By A Customer
I couldn't agree more with the reviewer from Texas, so let me repeat the Texan: a formal indictment should be brought against Phi Beta Kappa for firing Joseph Epstein. The end of the American Scholar as we knew it was the first publishing loss of my young life; now I fully appreciate how lifetime 'New Yorker 'readers felt when William Shawn was dismissed. Anyway, I'm supposed to stick to the book. These essays, originally American Scholar columns, are a great pleasure. Thank you, Mr. Epstein.
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