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The Blue Hotel, by Stephen Crane
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The Palace Hotel at Fort Romper was painted a light blue, a shade that is on the legs of a kind of heron, causing the bird to declare its position against any background. The Palace Hotel, then, was always screaming and howling in a way that made the dazzling winter landscape of Nebraska seem only a gray swampish hush. It stood alone on the prairie, and when the snow was falling the town two hundred yards away was not visible. But when the traveller alighted at the railway station he was obliged to pass the Palace Hotel before he could come upon the company of low clapboard houses which composed Fort Romper, and it was not to be thought that any traveller could pass the Palace Hotel without looking at it. Pat Scully, the proprietor, had proved himself a master of strategy when he chose his paints. It is true that on clear days, when the great trans-continental expresses, long lines of swaying Pullmans, swept through Fort Romper, passengers were overcome at the sight, and the cult that knows the brown-reds and the subdivisions of the dark greens of the East expressed shame, pity, horror, in a laugh. But to the citizens of this prairie town and to the people who would naturally stop there, Pat Scully had performed a feat. With this opulence and splendor, these creeds, classes, egotisms, that streamed through Romper on the rails day after day, they had no color in common.
- Sales Rank: #3784745 in Books
- Published on: 2013-01-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .10" w x 6.00" l, .15 pounds
- Binding: Paperback
- 40 pages
Review
Short story by Stephen Crane, published serially in Collier's Weekly (Nov. 26-Dec. 3, 1898), and then in the collection The Monster and Other Stories (1899). Combining symbolic imagery with naturalistic detail, it is an existential tale about human vanities and delusions. As the story opens, three visitors find shelter from a blizzard at Pat Scully's hotel in Fort Romper, Neb.: a nervous New Yorker known as the Swede, a rambunctious Westerner named Bill, and a reserved Easterner called Mr. Blanc. The Swede becomes increasingly drunk, defensive, and reckless. He beats Scully's son, Johnnie, in a fight after accusing him of cheating at cards. When the Swede accosts a patron of a bar, he is stabbed and killed. The story ends ambiguously at a point several months later, when timid Mr. Blanc confesses to Bill that he feels somewhat responsible for the Swede's death because he failed to act when he saw that Johnnie was indeed cheating at cards. -- The Merriam-Webster Encylopedia of Literature
About the Author
American author Stephen Crane began writing early in life, and was already a published author by the age of sixteen. Among Crane s best known works are Maggie: A Girl of the Streets, which is considered to be the first literary work in the early American tradition of Naturalism, a literary movement marked by detailed realism and the acknowledgement of social conditions of the late nineteenth and early twentieth centuries, and The Red Badge of Courage, which was influenced by his own experiences in military school and personal contact with Civil-War veterans. Crane died in 1900 at the age twenty-eight of tuberculosis, but had a significant and lasting impact on twentieth-century literature, influencing early modernist writers such as Ernest Hemingway.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Great Read Great Writing
By Russell Traughber
Hemingway like Crane's writing so I checked it out; I agreed with Papa! See if you do. I need three more words, there.
2 of 2 people found the following review helpful.
The Way It Is
By Mr. D. James
Crane, Stephen. The Blue Hotel
Stephen Crane’s long short story is a much anthologised item, it being typical of his masculine focussed social Darwinism, or survival of the fittest philosophy. Here, a character known simply as The Swede is the focus of the five major players in the story, set in an isolated settlement in The Blue Hotel in Fort Romper, Nebraska. Life is tough in winter in Romper and a man needs all his wits, and probably a handy weapon, simply to survive. The Swede is nervous to the point of hysteria. Pat Scully, the hotel keeper, his son Johnnie, the Easterner and the cowboy are shocked by the Swede’s insistent nervous laughter and his compulsive fear of being murdered. While Scully is out meeting any likely customers from the train, and over a card game, the Swede accuses Johnnie of cheating, which leads to a challenge and a fight outside in the blizzard.
‘Kill him, Johnnie! Kill him!, shouts the cowboy, as the contestants grapple, until finally Johnnie falls. But encouraged by his father he continues, until overpowered at last by the heavier man, and left to ‘the mixture of sympathy and abuse’ of the women. The Swede leaves in triumph for another bar, where he boasts about what he’d done to Scully’s son, but his unwilling audience shun him and his bravado, declining his offer of a drink together. This infuriates the drunken Swede, who threatens a gambler and in a struggle is pierced by a long knife. This ‘citadel of virtue, of virtue, wisdom, power, was pierced as easily as if it had been a melon,’ we are told, and its innocent murderer is, we learn in the final section given the lenient sentence of three years in jail.
There is no moral to the story. Given the setting and the characters it’s a sequence of likely events. Neither the demon drink nor the violence in nature is to blame. Anger, fear, jealousy and the need to impose on others are inescapable. That’s just the way it is.
1 of 1 people found the following review helpful.
Good read when flying
By Reader02
Starting to go back and read some of the "masters" to increase my depth and knowledge of writing styles. Short story with an interesting plot line of paranoia and self fulling prophecy at the end. Highly recommend for a quick read on a flight on an hour or more.
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